- Oct 01, 2019 UAD v9.8 software includes the new Antares Auto-Tune Realtime Advanced plug-in. Customers who had previously purchased the Antares Auto-Tune Realtime plug-in can upgrade to the new Antares Auto-Tune Realtime Advanced plug-in for a special upgrade price of only $49.
- Developed by Antares and available exclusively for UAD-2 hardware and Apollo interfaces, the Antares Auto-Tune Realtime Advanced plug-in offers genuine low-latency Auto-Tune effects popularized by the likes of Cher, Daft Punk, and Kanye West, as well as subtle, real-time pitch correction.
Uad Auto Tune Vs Antares 3
22nd January 2019
Uad Auto Tune Vs Antares 3
News Desk Editor
Jul 11, 2019 Antares Technologies, the global leader in pitch-correction and vocal-processing tools, is thrilled to introduce Auto-Tune Access: the simplest, most affordable way to use Auto-Tune. For more than 20 years, Auto-Tune has remained the benchmark in natural, real-time pitch correction and distinctive vocal effects. Universal Audio Releases Antares Auto-Tune Realtime Plug-In for UAD-2 and Apollo Platforms. — Fuchs Train II Amplifier and Eden WT800 Bass Amplifier also released as part of UAD Software v9.2 —. SCOTTS VALLEY, CA. May 16th, 2017 — Universal Audio is pleased to announce the release of UAD Software v9.2. A UA exclusive, the Antares Auto-Tune Realtime Advanced plug-in improves the previous UAD version with powerful workflow and sonic enhancements, making it the ultimate ultra-low-latency tuning solution for Apollo and Arrow interfaces — optimized for insta.
Antares introduces Auto-Tune Access
Antares Technologies, the global leader in pitch-correction and vocal-processing tools, is thrilled to introduce Auto-Tune Access: the simplest, most affordable way to use Auto-Tune.
For more than 20 years, Auto-Tune has remained the benchmark in natural, real-time pitch correction and distinctive vocal effects. Auto-Tune Access delivers the core Auto-Tune technology that professional artists and producers rely on, in a streamlined interface—for just $99.
“For most people creating production vocals, the first plug-in they will buy after getting a DAW is Auto-Tune, because it is the standard for natural pitch correction and modern vocal effects,” says Antares Technologies CEO Steve Berkeley. “This new edition of Auto-Tune gives more artists and producers an opportunity to incorporate Auto-Tune into their productions, whether they’re just starting out with Auto-Tune or they’re veteran users who need quick, easy access to core Auto-Tune functions.”
Auto-Tune Access Overview:
A new, pared-down interface provides access to key Auto-Tune features with a single click.
Simple three-position Retune Speed and Humanize knobs allow a variety of tuning applications, from subtle, natural-sounding pitch correction to the most extreme Auto-Tune Effects.
Low-latency processing means users can perform through Auto-Tune Access in real time, in the studio or onstage, without worrying about distracting delay.
Auto-Tune Access’ light CPU footprint and professional-quality processing make it an ideal introduction to Auto-Tune, and a convenient option for advanced users working with large, complex projects.
Auto-Tune Access is fully compatible with Antares’ new Auto-Key plug-in (sold separately), which saves valuable time in the studio by automatically detecting music key and scale and sending that information to Auto-Tune Access.
Auto-Tune Access is the first Antares plug-in that features WIBU computer authorization for enhanced security and ease of use.
Auto-Tune Access is available for $99 at antarestech.com and at authorized dealers worldwide. Auto-Tune Access also comes bundled in leading DAWs such as Tracktion’s Waveform. For more information, visit Home of Antares Audio - Auto-Tune and the Best Vocal Plug-Ins Available.
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Mix engineers today are asked to do far more than simply mix the song. In fact, it’s now expected that they clean the tracks, eliminate pops and clicks, adjust the track timing, and replace or augment some of the sounds as well. Another job that falls to many mix engineers today is correcting the pitch of any track that needs it. This process is faster and easier than ever, but like anything else, you still need good fundamental technique to seamlessly pull it off.
Uad Auto Tune Vs Antares 1
Available exclusively on the UAD platform, Antares Auto-Tune Realtime Advanced is the definitive version of the popular vocal effect that became an industry standard almost immediately after its release in 1997.
Some History
Though widely popularized beginning in 1997, the process of pitch correction has been around since the 1970’s, starting with the Eventide H910 Harmonizer. Primitive as it was, the H910 did allow for slight pitch corrections, although the digital artifacts that it imposed on the sound were quite substantial the farther you strayed from the original pitch. As newer versions of the Harmonizer (and later the French Publison Infernal Machine) were released, engineers could get a wider range of correction before the digital artifacts became noticeable, but the bulk of the work was still done manually.
Before pitch correction plug-ins there were hardware harmonizers like the French Publison Infernal Machine.
To give you an idea of what “manually” actually meant, the engineer would locate the point in the track that needed correction, set the Harmonizer to the correct pitch, rewind the tape, play it through the Harmonizer, then either record it on to another track or a different tape machine, which then had to be recorded back onto the master in sync. Needless to say, it was a tedious process to correct even a single note. Of course, studio owners back then loved to hear that a project decided to tune vocals since the bill for studio time would expand substantially.
Getting Started With Pitch Correction Plug-Ins
The most popular track-tuning plug-ins in use today are Antares Auto-Tune and Celemony Melodyne, but there are many others to choose from as well. Be aware that all tuning plug-ins impart their own sound, and it might not always be pleasing. Karen kingsbury firstborn series free download. Engineers typically own several different ones so they have options for various tuning situations.
Unless you are going for the obvious vocal tune effect, ala Cher or T-Pain, consider these tips for more discreet pitch management:
Unless you are going for the obvious vocal tune effect, ala Cher or T-Pain, consider these tips for more discreet pitch management:
- Use the performance itself first. Before you apply pitch correction, try to find other parts to use in the performance to keep any correction as natural-sounding as possible. Consider vocal comping, or simply copy and paste phrases, words, or syllables from other parts of the song.
- A little goes a long way. The fewer notes you correct, the more natural your performance will sound. You’re much better off just correcting a few notes than attempting to correct a large portion of the entire performance. If it’s that far off, you should simply record that part again.
- Use the most precise mode. Auto-correct modes may be designed to make things turnkey, but they’re often not precise enough for most applications. As a result you may get audible fluctuations that make the track sound artificial — which is usually not what you’re after. If the plug-in has one, use the graphical mode to achieve the most precise tuning with the least amount of audible artifacts.
- Don’t worry about perfectly tuned vocals. Even the best vocalists are never precisely on pitch — that’s what makes them unique. Getting the pitch within a few cents will sound more like the real thing, since it’s the variations and inaccuracies that make a human voice sound human.
- Print the pitch correction. Instead of leaving the pitch correction patched in as a plug-in, you’re better off printing a corrected pass and using that track instead. This saves precious system resources and also eliminates any problems that might occur if the session is moved to a different DAW.
The Eventide® H910 Harmonizer can be used for a different flavor of pitch correction.
A Few More Tips
Here are a few tricks often used when correcting the pitch of a mix element. As always, don’t be afraid to experiment, since slight variations might fit better on a particular mix.
- Experiment with harmonic resonance. Sometimes raising the formants (the harmonic resonance) of a voice can make the vocal sound a bit more exciting or breathier. It doesn’t actually change the pitch — just the placement of the voice’s harmonics.
- If the vocal is off enough that the pitch correction sounds robotic, try this trick. Copy the vocal to two additional tracks and spread them left and right. Tune one of the vocals up by 2 to 8 cents; tune the other down by 2 to 8 cents. This will smooth out an out-of-tune vocal and make it sound a lot thicker at the same time.
- Try adding some reverb. Tuned vocals almost always sound better with a least a touch of reverb or delay on them.
- Be gentle with lead vocals. Generally, background vocals can get away with much more pitch correction than lead vocals before any artifacts are heard.
Download norton on mac mojave. Depending on how much of a purist you are, pitch correction is either the worst thing to happen to modern music or a godsend. https://generousvirgin335.weebly.com/daisydisk-mac-os-106.html. Regardless of where you stand on the issue, Auto-Tune is a necessary and powerful tool in modern music production — use it wisely. Roland fantom vst plugin.
— Bobby Owsinski
Bobby Owsinski is a producer and music technology consultant who is the author of 18 books about recording and the music business, including the most recent 3rd edition of The Mixing Engineer’s Handbook. Read his music marketing blog at Music 3.0 music industry blog, and his production blog at the Big Picture production blog. You can read about his books at bobbyowsinski.com, or follow him on Twitter for daily blog updates.
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